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Bad education almodovar analysis
Bad education almodovar analysis









bad education almodovar analysis
  1. #Bad education almodovar analysis full
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Also among the tombstones is Agustina (Blanca Portillo), who is cleaning off the future site where she intends to be buried. They are caring for the graves of their mother and father, who died together four years ago in a fire. Here we meet Raimunda (Penelope Cruz) her sister, Sole (Lola Duenas) and her teenage daughter, Paula (Yohana Cobo). Women are shown cleaning off headstones that are being covered by dust from a relentless windstorm. The film opens with a scene in a graveyard - appropriate for a ghost story. His productions have become less garish, but he has lost little of his flair for the absurd. Along the way, there's plenty of off-center comedy.

bad education almodovar analysis

This is a little unusual for Almodovar, but he proves to be a master of this approach. We can't wait to see how certain things are going to turn out.

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Indeed, its lurid secrets and surprise revelations grip us in much the same way as a sudsy TV series.

bad education almodovar analysis

One could argue that Volver is a good soap opera. Although Volver has a tendency to stray too far down tangential paths, it is ultimately satisfying. This feature, which could be considered a ghost story, combines drama and absurdist comedy in the genre-bending manner Almodovar is known for. Although not on par with the Spanish director's best movies (which include Tie Me Up! Tie Me Down!,Live Flesh, All About My Mother, and Talk to Her), Volver represents a return to form after the disappointment that was Bad Education. His movies trumpet "A Film by Almodovar" with pride, and his latest, Volver, is no exception.

#Bad education almodovar analysis full

His full name is Pedro Almodovar, but no one bothers with the first name, least of all Pedro. All the world is in love with Almodovar, or at least so he would have us believe.











Bad education almodovar analysis